Marjorie Abela’s work is an act of unearthing the unknown. Marjorie investigates the emotional and physical language of the human body to explore vulnerability, memory and the transformative power of emotional resilience. Her work often refers to a collective female form, representing the concept of femininity and the fragility of women’s rights. Autonomy, sensuality and power dynamics are explored through quiet defiance, translating experiences into actuality with an unapologetic, unwavering presence.

Working across sculpture, drawing and textile processes, she moves freely between mediums, forging a sense of fluidity within the work. Marjorie begins by working from life, allowing an unspoken exchange between herself and the sitter. Rather than depicting a likeness, a shared emotional state is captured. Embodied and intuitive processes allow the work to unfold in unexpected ways, as a history is embedded into the surface through fragmentation and repair. Each touch becomes a record of tenderness as the work takes on a life of its own that extends past the sitter and the artist. Marjorie creates multiples, which she distorts, traces or splits open to unveil vital truths, as new facets of her identity are uncovered. 

Marjorie studied painting at the Central School of Art & Design, before continuing her training in pattern cutting and garment construction at the London College of Fashion. An interest in antique millinery fabrics led her to create sculptural headwear and was commissioned by Kenzo for his 1991 catwalk show. She later worked for the couture house Belville Sasson. Her current work draws on both fine art and couture techniques, combining sculptural and textile traditions in an intuitive and materially exploratory practice.

BIO

Marjorie Abela is an English artist of Maltese and North African heritage whose practice spans sculpture, drawing, and textile processes. She investigates the physical and emotional language of the body, exploring the sensuality of flesh and the complexities of being.